John Rutter
(1945- ):
Requiem
The Requiem was written in 1985 in response
to the death of the composer’s father the previous year. (A requiem is a version of the mass used at
funerals and to commemorate the departed.)
Rutter drew musical inspiration much more from the tender intimacy of
Fauré’s Requiem than from the
monumental drama of those by Verdi or Britten.
He uses carefully chosen extracts from the conventional sections of the
requiem mass (Requiem aeternam, Kyrie, Dies Irae, Sanctus, Agnus Dei and Lux
aeterna) alongside settings of Psalms 130 and 23 and, at one point, words from
the Church of England burial service. The
whole work has a symmetrical structure of seven movements, the Sanctus at the
centre being framed on each side by a sequence of prayer-psalm-prayer. The two psalm movements make striking use of
solo instruments and plainsong-like melodies; and indeed the whole pattern is
reinforced by the musical treatment, making this an agreeably satisfying - as well
as hauntingly beautiful - work to listen to.
Franz Josef Haydn (1732-1809): Missa Sancti Nicolai This mass, in the key of G major, was written in 1772 to
celebrate the nameday of Prince Nicolaus Esterházy, possibly as a ‘thank you’ to
the Prince for agreeing to the court’s returning earlier than usual to
Eisenstadt after its summer sojourn in Hungary – an outsize hint about this had
famously been dropped in the ‘Farewell’ Symphony (no. 45) earlier in the year. Although the mass has each of the usual six sections –
Kyrie, Gloria, Credo, Sanctus, Benedictus and Agnus Dei – it is relatively
short. However, the music is unfailingly
graceful and lyrical, with a simple appeal which cannot but enchant the
listener. It is very surprising that it
is not better known.
Haydn scored the mass for string orchestra with oboes, horns
and organ. In a later revision he added
other instruments, possibly to support a larger choir; but the original light scoring
seems more appropriate to the intimate nature of the work and translates well
to organ accompaniment. The programme will also include a selection of Christmas carols, including one with a special connection to NYC.
Peter Harbord, North
Yorkshire Chorus
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